By Kaitlin Fitzsimons
In the New York Times Draft piece, “Outlining in Reverse,”
Aaron Hamburger explains how he edits his work by ‘outlining’ what he’s
already written. This approach helps guarantee that each paragraph is
in support of the main idea of his story, and any superfluous material
is later cut. Hamburger says, “I’ve come to prefer a more organic
approach to creation, first laying out my raw material on the page, then
searching for possible patterns that might emerge. But now, after I’ve
completed a first draft, I compose an outline.” Hamburger points out
that he is not the only writer to use reverse outlining, mentioning the
helpful reverse outlining resources through the Amherst College website and Purdue Online Writing Lab.
Reverse outlining is in keeping with the outlining section of the SNL Writing Guide,
which states, “As you begin writing, your understanding of the topic
will grow and change. Allow your new realizations to inform your
writing...” Writing first and organizing later allows a writer to
capture all of his or her ideas on paper without getting bogged down by
structural or mechanical considerations. If one or two ideas are found
to be superfluous or don’t “fit” within the piece, a writer may wish to
save those bits of brilliance for another, more appropriate piece.
Wednesday, January 2, 2013
In this 5 minute interview with The New York Times, Jerry Seinfeld let's us in on his joke writing process through explicating "The Pop Tart Joke." Even if you're not a comedy writer, Jerry offers some good tips, like writing drafts on paper versus a computer. He says,“I don’t like that cursor flashing at me, looking at me like “so? What do you got?”"